Flow Field is an artist-led brown bag lunch series developed through Contemporary Art Practice Lab (CAPL). It offers a relaxed space for artists, curators, researchers, cultural practitioners, and people from other fields to meet through unfinished thoughts, evolving practices, and open conversation.
Each gathering creates a temporary space for thinking together. Ideas circulate without the pressure to reach a shared conclusion, allowing different ways of seeing, questioning, and working to influence one another.
Its value lies both in the conversation and in what shifts afterward: a work reconsidered, a relationship taking a new form, or a question becoming the beginning of another project.
The first Flow Field unfolded over an informal lunch followed by a studio visit. Across different practices and perspectives, a recurring question emerged: why do we create?
Moving between Rothko’s abstract paintings, Lori Horowitz’s shadow sculptures, and Han Qin’s moving-image work, participants looked beyond artistic form to the motivations and experiences underlying creative practice.
Perspectives from art, business, and cultural inquiry opened questions about power, incompletion, changing identities, and evolving visual languages. The conversation also explored how perception takes shape through relationships—with artworks, with their contexts, and with one another.
The discussion continued into the studio, where shared questions developed into smaller exchanges around individual artworks, collecting, and possible future projects.
Sustained attention to works, processes, memories, and ideas opened possibilities for further connection and fed back into artistic practice.
Flow Field #01 offered a working principle for the series:
Conversation → Relational Shift → New Action
The gathering ends, but the field continues through the relationships, artworks, questions, and decisions it sets in motion.
Han Qin, Lori Horowitz, Keren Anavy, James Aquaviva, Neisha Terry Young, and Alec Wang.